vladimir lubarov russian museum
Vladimir Lubarov. Russian Museum
Предлагаем вашему вниманию альбом "Vladimir Lubarov. Russian Museum". Издание на английском языке.
1530 Руб.
Mak I. Jewish Museum and Tolerance center
This edition is dedicated to the Moscows Jewish Museum and Tolerance Center, its history, exposition and foundations. The large part of the book also mentions history of Museums building, Bakhmetevsky Bus Garage, designed in 1926 by Konstantin Melnikov and Vladimir Shukhov. There is also some information on Russian Jewish history, based on Museums exposition.
11877 Руб.
Mak I. Jewish Museum and Tolerance center
This edition is dedicated to the Moscows Jewish Museum and Tolerance Center, its history, exposition and foundations. The large part of the book also mentions history of Museums building, Bakhmetevsky Bus Garage, designed in 1926 by Konstantin Melnikov and Vladimir Shukhov. There is also some information on Russian Jewish history, based on Museums exposition.
11877 Руб.
Voronchenko Vladimir Faberge Museum
Housed in the stunning Shuvalov Palace in the heart of historic St Petersburg, the Faberge Museum opened in 2013 and is now home to over 4,000 works by the famous Imperial Russian jewellery firm. The most valuable are the nine Imperial Easter Eggs created by Carl Faberge for the last two Russian emperors, Alexander III and Nicholas II, but the museum is also a treasure trove of objects of fantasy of all kinds, small goods, silverware, and the interior and religious objects. The collection also includes works by Faberge's contemporaries, including famous Russian jewellers and silversmiths such as Sazikov, Ovchinnikov, Khlebnikov and Ruckert.
3091 Руб.
Museums of Russia
Many Russian Museums of the world significance, both metropolitan and provincial, are well-known. The book narrates about such indisputable symbols of Russian culture as the State Hermitage and Russian Museum, the State Tretyakov Gallery and the State Museum of Fine Arts named after A.Pushkin; about eloquent witnesses of many centuries, that are the Moscow Kremlin and the kremlins of other cities; about the oldest museums such as the Central Naval Museum established in St. Petersburg in 1709 in the order of Peter I, the Kunstkammer, which was opened in 1714 as the first Russian public museum. The reader can find here also the articles on the memorial museums, museums-estates and the most interesting private museums. Издание на английском языке.
725 Руб.
Konstantin Korovin
Konstantin Korovin 1861-1939: from the collection of the Russian Museum.
2708 Руб.
Гусев Владимир Александрович Русский музей: Альбом путеводитель, на английском языке
The Russian Museum was opened in 1895, by a decree of Tsar Alexander III, and as such was the first state owned museum of art in Russia. Housed in the Mikhailovsky Palace (architect C.Rossi), the Museum numbers nearly 400.000 exhibits, and has a huge range of Russian art which rival that of the Tretiakov in Moscow. The exhibits date from ancient icons to the Avant-garde school of painting of the 20th century, and include many landmarks in the history of Russian art, such as Bruillov's 'The Last Day of Pompeii', and Repin's 'The Barge Haulers'.
919 Руб.
Альбом Paintings from the Russian Museum: Leningrad (на английском языке), бумага, печать
Альбом "Paintings from the Russian Museum: Leningrad" (на английском языке), бумага, печать, суперобложка, изд. "Советский художник", 1981 г.
3071 Руб.
Voronchenko Vladimir Director’s Choice. Faberge Museum
Vadimir Voronchenko is a well-known businessman, art collector and connoisseur who serves as chairman of The Link of Times Foundation and as director of the Faberge Museum in St Petersburg. He is on the board of trustees of several major international institutions, among them the Paris Biennale, the Pushkin State Museum of Fine Arts and the Carl Faberge International Jeweller Contest, where he serves as co-chairman. In 2004 The Link of Times Foundation purchased Malcolm Forbes's famous collection of Faberge masterpieces from his heirs. Over the following ten years, the foundation continued acquiring Russian decorative and fine art of the eighteenth, nineteenth and early twentieth centuries at an unprecedented scale. 'I bis resulted in the formation of the world's largest collection of Faberge pieces, with over 1,000 items. Since 2013 this unique set of works has been on display as the permanent exhibition of the Faberge Museum.
1853 Руб.
Museum of Proletarian Culture. The Industrialization of Bohemia
Try and imagine what a museum of creativity looks like. This book tells of a challenging exhibition held in one of the major Russian museums-the Tretyakov Gallery in Moscow. Arseniy Zhilyaev created a conceptual project for an imaginary museum. The viewer sees into the future after the liberation/revolution and is confronted with a radically different outlook on the history of twentieth-century art. At the core of the exhibition, there turns out to be a complex dialectic in the relationship between museum and artist: how does an artists work come to be exhibited in a museum? When and why does an artist engage in artistic creation outside the museum walls? Is the museum the space in which a "happening" takes place? The book includes texts by Russian and foreign art critics as well as a number of previously untranslated Soviet avant-garde texts about museums and proletarian folklore. 0
759 Руб.
Museum of Proletarian Culture. The Industrialization of Bohemia
Try and imagine what a museum of creativity looks like. This book tells of a challenging exhibition held in one of the major Russian museums-the Tretyakov Gallery in Moscow. Arseniy Zhilyaev created a conceptual project for an imaginary museum. The viewer sees into the future after the liberation/revolution and is confronted with a radically different outlook on the history of twentieth-century art. At the core of the exhibition, there turns out to be a complex dialectic in the relationship between museum and artist: how does an artists work come to be exhibited in a museum? When and why does an artist engage in artistic creation outside the museum walls? Is the museum the space in which a "happening" takes place? The book includes texts by Russian and foreign art critics as well as a number of previously untranslated Soviet avant-garde texts about museums and proletarian folklore. 0
759 Руб.
Nabokov Vladimir Original of Laura
The Original of Laura is Vladimir Nabokov's final, incredible unfinished novel in fragments. Dr Philip Wild, a man of brilliance, wit, fortune and tremendous bulk, is used to suffering humiliations at the hands of his wife, the younger, slender, and rudely promiscuous Flora. But in a novel, a 'maddening masterpiece' documenting her infidelities, written by one of her lovers and given to the doctor, she appears as My Laura. Dishonoured, Wild still finds pleasure in life, by indulging in self-annihilation, beginning with the removal of his toes. Vladimir Nabokov (1899-1977) was born in St Petersburg. He wrote his first literary works in Russian, but rose to international prominence as a masterly prose stylist for the novels he composed in English, most famously Lolita. Between 1923 and 1940 he published novels, short stories, plays, poems and translations in the Russian language and established himself as one of the most outstanding Russian emigre writers. Dmitri Nabokov was Vladimir Nabokov's son.
4098 Руб.
Alexander-Garrett Layla, Ambartsumyan Gayane, Evlampiev Igor Andrei Tarkovsky. An Artist of Space
The stills from Tarkovskii films have a striking painterly quality; the sketches for costumes and sets are vivd and carefully drawn; posters are in the spirit of the films - all these aspects of Tarkovskii's work lend themselves to a museum exhibition, and this Russian Museum catalogue shows how the arts overlap and how much an artist Tarkovskii was.
3246 Руб.
Porcelain of St Petersburg private factories
The 'Porcelain by Saint Petersburg Private Factories' exhibition presents circa 400 articles that were produced by the prominent Factory of Philip Batenin and the Kornilov Brothers' Factory, from the Russian Museum collection. In the Russian Museum the Batenin's porcelain is presented by the most various and first-rate articles: from numerous cups, decorative vases and services to things for washing and figured jugs. Cups and gift mugs were the special matter of this factory. On the exhibition as well as in the museum's collection this is the biggest group of items that are extremely diverse in form and picturesque decoration. Luxurious golden vases and services with typical bunches of flower and garlands, as well as the architecture views of Saint-Petersburg were the visiting cards of the factory. In 1838 the factory was closed due to the fire that destroyed all the shops. All the materials were sold to the Kornilov Brothers' Factory. Many masters passed to this factory. In the collection of porcelain by the Kornilov Brothers' Factory was preserved the production of vases with views of Saint Petersburg that were similar to the Batenin's patterns. The range of articles was diverse. The factory produced mugs, plates and services. But the china plastic art took also the important place in the factory's manufacture. The factory produced articles that had the most fantastical outlines at time didn't serve their purpose. Equally a national theme: depicting of genre scenes from a life of city tradesmen and craftsmen, and 'the Russian Style' found their reflection in a production of the factory. The foundation of the Russian Museum collection is the exhibits that were aquired by the Russian Museum in 1920-1930s through the Museum Fund and the Hermitage from private collections (Grand Duke, Yusupov's, Shuvalov's and others) that were nationalized after the October Revolution, as well as from the museum of the former Baron A.L.Shtiglitz's Central School of Technical Drawing.
3427 Руб.
Pivovarov Viktor The Agent in Love
Viktor Pivovarov’s The Agent in Love is the English edition of a book by the classic of Moscow Conceptualism translated by one of the most famous contemporary Russian to English translators Andrew Bromfield. The publication launches a new series within Garage’s publishing program, Artists Write, that will be dedicated to the release of previously unpublished prose by Russian artists in foreign languages. The eminent Slavic scholar and editor Andrew Bromfield has made the works of such Russian authors as Alexander Pushkin, Mikhail Bulgakov, Leo Tolstoy, the Strugatsky brothers, Daniil Kharms, Genrikh Sapgir, Viktor Pelevin, Boris Akunin, and Vladimir Voinovich accessible to an international audience. The Agent in Love is a book of memoirs and reflections by Viktor Pivovarov initially published by New Literary Observer in 2001. The second edition, revised and expanded, was prepared by Garage Museum of Contemporary Art in 2016, coinciding with the artist’s retrospective The Snail’s Trail. The Agent in Love combines the author’s personal and artistic biographies with his comments and contemplations about various aspects of life, art, faith, the problem of choice, and love. The book received a warm reaction from the audience, both in 2001 and 2016. In 2018, it was translated into Czech and published in Prague.
1750 Руб.
Avant-garde List № 1 For the 100th Anniversaly
This edition was issued for the exhibition dedicated to the centenary of the first state museum of modern art, the Moscow Museum of Painterly Culture. From the late 1910s to the early 1920s, this museum, organised by left-wing artists, assembled the greatest collection of Russian avant-garde to date and performed unique research work. After the liquidation of the MZhK in 1929, over 700 of its artworks were transferred to the Tretyakov Gallery, which served as the first large acquisition to the Contemporary Art Departament. Beginning in the mid-1930s, the Museum of Painterly Culture vanished into oblivion for an extended period. The present edition is the first fundamental work to give a full picture of the Museum's history, its research work and library collection. Topical articles examine different aspects of how the MZhK Collection was assembled, exposition concepts and the activities of the Museum Bureau. The cataloque and two appendices constitute collection of artworks that arrived at the Gallery in 1929 and which was restored in preparation for the exhibition. The Documents sections contains important materials, including the 1929 'liquidation' lists that help evaluate the collection's scope and complexity of its life. The edition is intended for both specialists and those more generally interested in Russian art.
6271 Руб.