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J. Faith Almiron. Writing the Future: Jean-Michel Basquiat and the Hip-Hop Generation

How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960–88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat’s works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries―and sometimes collaborators―A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture. Writing the Future, published to accompany a major exhibition, contextualizes Basquiat’s work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat’s extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.

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Rick Slick, ASAP Ferg, L. L. Cool J. Ice Cold. A Hip-Hop Jewelry History

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style Whether it's diamond-encrusted grills, oversized "truck" style chains, bust-down Rolex and Patek Philippe watches or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how "Ice" has become a proclamation of identity and self-expression. Starting with Run-DMC's gold Adidas pendants and Eric B. & Rakim's ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of "show up and show out" reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B, whose over-the-top pieces integrate unique pop culture references, unconventional materials, and enduring collaborations with artists like Takashi Murakami. Author Vikki Tobak reveals - in great detail - the work of pioneering jewelers such as Tito Caicedo of Manny's, Eddie Plein, and Jacob the Jeweler as well as newer artisans such as Avianne & Co., Ben Baller/IF & Co., Greg Yuna, Johnny Dang, Eliantte, and many more. Ice Cold is a treasure trove of dazzling, inspirational style, featuring the work of leading photographers, including Wolfgang Tillmans, Janette Beckman, Jamel Shabazz, Timothy White, Gillian Laub, David LaChapelle, Danny Clinch, Chris Buck, Mike Miller, Phil Knott, Raven B. Varona, Al Pereira, Albert Watson and many more. A foreword by hip-hop superstar Slick Rick and essays by A$AP Ferg, LL COOL J, Kevin "Coach K' Lee and Pierre "P" Thomas of Quality Control Music take us on personal journeys into their jewelry universe. Ice Cold goes beyond the ostentatious bling to reveal a transformative story that is loud and proud.

Burberry Brit Splash For Men Eau De Toilette 100 ml

The Brit mens collection from the fashion house Burberry has been replenished with a new flanker to the original Brit of 2004. The new product is called Brit Splash for Men. An aquatic woody fragrance was released in 2015. A fresh, invigorating perfume created for hot days in the city. The stylish composition is inspired by the powerful, almost electric charge of Londons energy that occurs when life-giving moisture hits sun-warmed skin. Light and toning Burberry Brit Splash gives strength to the owner and helps maintain tone for a long time. Rich woody nuances mixed with moist and expressive spice accords create an exciting coolness. Composition: rosemary, aquatic accords, oakmoss, wood.

The Ways of The Hour

The Ways of the Hour was James Fenimore Cooper's last novel, published in 1850. Set in a rural New York county seat outside New York City, it is a courtroom drama of a woman accused of murder and theft, and of the men and women who defend her case. Cooper used the novel, among other things, to express his discontent with changes in New York State's judicial system during the 1840s, with the corruption of courts and juries, and with new ideas of women's rights.

Cooper James Fenimore The Ways of The Hour

The Ways of the Hour was James Fenimore Cooper's last novel, published in 1850. Set in a rural New York county seat outside New York City, it is a courtroom drama of a woman accused of murder and theft, and of the men and women who defend her case. Cooper used the novel, among other things, to express his discontent with changes in New York State's judicial system during the 1840s, with the corruption of courts and juries, and with new ideas of women's rights.

Купер Джеймс Фенимор The Ways of The Hour = Новые веяния: роман на англ.яз

The Ways of the Hour was James Fenimore Cooper's last novel, published in 1850. Set in a rural New York county seat outside New York City, it is a courtroom drama of a woman accused of murder and theft, and of the men and women who defend her case.Cooper used the novel, among other things, to express his discontent with changes in New York State's judicial system during the 1840s, with the corruption of courts and juries, and with new ideas of women's rights.

Купер Джеймс Фенимор The Ways of The Hour = Новые веяния: роман на англ.яз

The Ways of the Hour was James Fenimore Cooper's last novel, published in 1850. Set in a rural New York county seat outside New York City, it is a courtroom drama of a woman accused of murder and theft, and of the men and women who defend her case.Cooper used the novel, among other things, to express his discontent with changes in New York State's judicial system during the 1840s, with the corruption of courts and juries, and with new ideas of women's rights.

Deleon Jian The Incomplete. Highsnobiety Guide to Street Fashion and Culture

Street fashion and urban culture have come a long way from humble beginnings in the '90s. From disparate local scenes in Japan, Europe, and the US, the youth-driven movements of hip-hop, punk, and skateboarding have finally infiltrated high fashion. Brands are now eager to collaborate with the icons of music and art who are leading this creative crossover. Customers will stand in line for hours to be the first to own exclusive pieces designed by the likes of Pharrell Williams, Virgil Abloh, and Tom Sachs. Based in New York, Berlin, and Tokyo, lifestyle publication Highsnobiety is at the forefront of this global phenomenon. The Incomplete immortalizes the stories of brands ranging from Supreme to Comme des Garcons. Alongside the most influential designers and tastemakers, Highsnobiety highlights the pieces and brands in men's fashion which have stood the test of time.

Film Posters of the 70s: The Essential Movies of the Decade

The cinema of the 1970s reflected both the anxieties and the escapism of an angst-ridden decade. The bleak realism of "Taxi Driver" and the political paranoia of "All the President's Men" co-existed with the androgynous fantasy of "Rocky Horror Picture Show". In the 70s, "blaxploitation" made its first appearance; "Last Tango in Paris" and "Emmanuelle" edged "porno-chic" into the mainstream; "ethno-сооl" reached new heights in "The Godfather". Clint Eastwood traded his poncho for a 44 Magnum in "Dirty Harry"; "Star Wars" blasted audiences into hyperspace; "Jaws" hit the New England beaches and "Apocalypse Now" did for Huey helicopters what "Saturday Night Feve" did for white suits and flares. The images in this book represent the full range of poster art which attracted world-wide cinema audiences to these and many other movies and reveals just how much current fashion owes to the style of the 70s. Книга на английском языке.